Its commentary time again in order to celebrate the 40th anniversary of Superman the Movie, Do You Expect Us To Talk? sat down with Charlie Brigden to watch the classic from 1978. You can find our original review here.
Sit back and listen to Becca, Dave, Chris and Charlie as we discuss the lack of sex in brief encounter, our hot take on the Goonies, Superman ignoring crimes while trying to get laid, John Glen directing the double-taking pigeon and just how iconic the music is.
Is it bird.. is it a plane… no it’s a film franchise crashing and burning. This week we continue with the story of the Man of Steel as he takes on a nuclear weapons with a budget of £10.50. When a school kid (who’s even more annoying than Ricky from the last film) writes a letter asking Superman to rid the world of nuclear weapons, Superman does just that with no issues from other nations. However Lex Luthor has other ideas and plans to cash in and makes a naw super being Nuclear Man (not Dolph Lundgren) using a lunchbox and a strand of hair.
Join Becca, Dave and Chris as we talk about what the hell we just watched, Superman abusing Lois, how exactly does Nuclear Man has Gene Hackman’s voice, just how much Christopher Reeve really wants to be here and how many times we see that same shot of Sups flying towards the camera.
Is a bird… is it a plane… no it’s superman carrying Richard Pryor for artistic reasons that baffle us all to this day. This weeks episode we continue in our flight with the third superman adventure and ponder what was going through their heads as they were making is.
Christopher Reeve is back as the man of steel as it quietly pushes Lois out of the story so he can romance out high school crush Lana and her annoying brat of a kid. Meanwhile Gus played by Richard Pryor finds out he’s a computer genius by accident and is used by not Lex Luthor to help control coffee and oil using a machine that controls the weather.
Listen as Becca, Dave and Chris talk about this Richard Pryor comedy classic, Superman’s priorities attending birthday parties, what were they thinking, why Gus just doesn’t make any sense, just how that super computer was built, the greatest opening to a movie ever and just what exactly where they thinking.
This episode of Do You Expect Us to Talk continues with the Superman saga with Superman 2. Arguably the most popular superman film, Christopher Reeve returns with a comedic slapstick director taking over Richard Donner and adding goofy shit. General Zod and his goons break free from the phantom zone and fly to earth to rule. While this happens, Clark contemplates the price of being the saviour of the planet and give it up for love with a high cost.
Join Becca, Chris and Dave as we talk about the differences between the original and the Donner cut, just how fast Lois can fly to France, the problems with honeymoon rackets, made up super powers and of course fruit.
Is it a bird…. is it a plane…. it’s a man wearing bright blue spandex and a red cape? No it’s another episode of Do You Expect Us to Talk as we start another franchise with arguably the biggest superhero of them all…. Superman.
Please note that we’re not covering Man of Steel and Batman Vs Superman… we’ll save that for the current train wreck that is the DC universe films (quality of the future of said films may or may not have changed at time of writing)
Directed By Richard Donner, Superman The Movie tells the full origin of how Superman came to earth to become the saviour of the planet and fall in love with Lois Lane. Join Becca, Dave and Chris as we fly around the world to turn back time to revisit Christoper Reeve still being the best on screen superman, Lois dressed for Hi Di Hi, Clark grabbing muff, Brando playing it like a bagel, a new segment of the show involving fruit and how the ending makes not one like of sense no matter how you look at it.
Superman returns yet again in an epic action packed and long over due reboot on the franchise. Taken under the wing of Christopher Nolan fresh of working on his excellent Dark Knight trilogy and co written with David S. Goyer, Man of Steel is a darker and much more serious than previous incarnations of the worlds most famous superhero. Gone are the memories of Richard Pryor as a comedy side kick and ridding the world with nuclear missiles. This is the new superman film for the our time and given a modern make over in the same vein as Nolan’s Batman. So what can I say about Man of Steel. For one thing, this Zach Snyder baby. It echo’s Nolan’s touch but it is very much a Zack Snyder film with its grungy look and hard-core CGI heavy action set pieces.
To say that’s its full of CGI is not a criticism. I may very much prefer practical effects but when your lead character has to fly around spaceships and buildings exploding everywhere, it’s kind of hard to do that for real. Being a very much visual director, Snyder does a great job with the exciting and epic on a grand scale. Epic is the word to describe Man of Steel, kicking things off in the doomed planet of Krypton which feels like a mini sci-fi epic itself, setting the back story of General Zod and Jor El as he sends his newly born son Kal El (that’s superman for those who don’t know) to earth as the planet sets a course for distraction. From then it very much falls in the structure of Batman Begins with flash backs to times when Clark (that’s superman’s earth name as if you didn’t know) being raised by the Kents, as the older Clark searches for his origin and a sense of purpose. That is until Zod arrives on Earth and threatens to destroy it.
The cast is spot on. Henry Cavill looks the part as well as nailing a conflicted Clark with trust issues. Amy Adams is solid as brassy reporter Lois Lane and Michael Shannon is fantastic as demented general and the same can be said for Antje Traue, almost stealing the film as Faora-Ul. Far from the Zod that we know that’s obsessed with ruling and people kneeling, his take believes in what he’s doing is for the greater good even if it means mass genocide. However roles of the Martha and Jonathan Kent are nothing short of perfection. Kevin Costner and Diane Lane give the right amount of heart and warmth that its impossible to envision their roles any different, in fact you are left wanting more. Hans Zimmer score almost steels the entire film. It was a near impossible task to follow a theme as iconic of John Williams but Zimmer does it with a very simplistic and beautiful piano keys that builds up into a big fan fare that you’ll be humming out of the cinema.
If Man of Steel has a kryptonite it’s the relentless pace that it travels in. We don’t get to stop and savour the life lessons on the Kent farm and a pre-superman Clark oil rig rescue feels rushed and any sense of poignancy is lost. In fact this is a film where I wouldn’t mind being longer as its so jam-packed that the two hours 25 minute running time feels condensed. It also lacks some humour too. In an attempt to move away from campiness, everything feels very stone faced and a side from an odd moment, a little bit of wit would have helped to slow the action down. Regardless to say, after listening to the fans who wanted a superman film with plenty of action, Snyder has delivered..